Explain my Top 5 favorite Cd's at this moment

So I noticed something on my old college's web site that certain students were spotlighted for their musical achievements and given interviews. I remember one thing I really enjoyed was hearing about the student's top 5 favorite CD's. Since you pretty much have to started playing in the womb and be a total badass to even be considered getting this interview, I was not fortunate enough to get it. So Im doing it myself on my blog. Although I can't really decide on 5 CD's being my all time favorites, I have 5 that I highly recommend and all are completely unique and at some point life changing in my taste and enjoyment of music, so here we go.



5 - Suzanne Vega's "99.9 Fahrenheit Degrees". Somber vocals, really effective songwriting, ambient guitar layers, and industrial laced grooves that are built with an even blend of electronic sounds and and real instruments. These sometimes haunting songs pull influence everywhere from light bossa nova to introspective folk to something reminiscent of the Nine Inch Nails.



4 - Imogen Heap's "Speak for Yourself". This is a production masterpiece to say the least. Absolutely lush, vibrant songs that are as finely crafted and original as a human fingerprint. The highlight of this CD is "Hide and Seek" a jaw dropping tapestry of electronically altered vocal harmonies, like an alien acapella group. This is not to be confused with "Mmmm Whatcha Say?" and in my opinion is infinitely superior to the somehow more popular song that sampled this one.


3 - John Mayer's "Room for Squares". This CD pretty much did it for me. When this came out I must have listened to it five hundred times. Definitely a more heavily produced effort from this never-ceasing-to-amaze writer, but still outstanding, nonetheless. John Mayer has a way of writing a song about things you swore you were the only one going through. From the nostalgia-inducing "1983" to the humorous foot-in-the-mouth anti-hero of "My Stupid Mouth" to the ephemeral happiness by a fire in "St. Patricks Day" this collection of stories is the perfect road trip companion.




2 - Dave Brubeck's "Time Out". Dave took swing and bebop, melted it down like a crazed alchemist and pretty much single-handedly invented cool jazz. This CD was a groundbreaking showcase of experimental jazz forms full of altered time signatures, tempo changing sections and dual tempos. It sounds like a sunday walk through a park of abstract sculptures. This was one of the first CD's I ever really listened to over and over, one of the many great ones in my dads collection.




1 - Thomas Newman's "America Beauty Score". This is it. To me, this is arguably some of the most beautiful music that has ever been created. His anti-orchestra method of creating music yields unique soundscapes that vividly induce certain moods. I once listened to the theme "American Beauty" (I think its track number 6) for more than 5 hours straight on repeat. These tracks are perfect for getting lost in a painting or a good book. You have to hear this one.

Dirty Loops

No this is not a blog entry about what happens if your little brother takes a dump in your box of fruit loops. I want to bring to attention a growing trend. At a seeming increasing rate the pages of Youtube are being filled with an all too similar cover artist prototype. The world absolutely does not need one more cute, 15-25 year old stylishly dressed with an acoustic guitar playing the same 30 or so covers that the entire rest of the world covers. It's beginning to become redundant. Yet you see their videos quite frequently sporting hundreds of thousands of views. Why is this so? Well, you can't deny that almost all of them are talented, at least with regards to singing, and the sound of a well trained human voice is a beautiful thing. But why such the lack of originality? Why does almost every one sound strikingly similar to something you've heard before? Because there is hardly any, if at all, musical interpretation. Just throw a little cute R & B run, maintain eye contact with the camera and POOF, instantly, another star is born. There are too many stars and the sky is so full you can no longer distinguish one from the other.

Yet every now and then someone rises above to completely reinvent a sound and push the envelope of musicality with a seemingly impossible level of skill, talent, taste and chops. That band is called "Dirty Loops". They can take the most trite songs and make them fusion masterpieces. I invite you to enjoy this cover of Britney Spears' "Circus". It's damn good and to me should send every little acoustic guitar holding clone (even myself included) back to the practice room to start making some more original arrangements .




From a person educated in music of many styles, I can say these guys, quite simply put, take dumps on anyone else that covers pop tunes these days (or at least out of the ones I have seen). Hide your cereal boxes.